GEORGE PATON GALLERY PROGRAM SEMESTER TWO 2017
CLOSING EVENT/NITE ART 6-9pm Thursday 27 July
Trust For One
You’re falling backwards waiting for the supportive embrace. You wait, you wait to let go. What if there was no one to catch your fall but an essence of yourself?
Trust in what I needed before you, for you to have now.
Image: Teresa Hsieh, Trust For One (detail). Polyurethane plastic, air movers, resin, 2017
This event is part of the University of Melbourne precinct’s NITE ART
CLOSING EVENT: Wednesday 9 August, 5-7pm
Space, Time and Rock ‘n’ Roll
What happens when you grow up and your bedroom band posters are replaced with pop science books?
Space, Time and Rock ‘n’ Roll asks the big question of where does time actually go in a medley of bedroom rock culture and pop science featuring drawing clocks, painted posters and a guitar.
Image: Penny Walker- Keefe, A Brief History of Time. Acrylic on board, 2016
Nick Archer, Louis Cooper, Vi Macdonald, Kiah Pullens and Rachel Walker
Curated by Nick Archer
A series of gestures reacting to the functional site will exist within the George Paton Gallery. This Dialogue between image, object and architecture will span across the space, discussing issues surrounding perception, the image, the virtual and the beyond.
Image: Louis Cooper, Untitled. Digital photograph, 2017
GALA NIGHT: Wednesday 23 August, 5-7pm
The Lurid World
Tori Adams, Haydn Allen, Lief Chan, Marley Holloway-Clarke, Serena Cowie, Amie Green and Lara Navarro
Curated by Jasmin McNeill
The Lurid World celebrates cross-disciplinary emerging student artists as part of Mudfest 2017. Asked to confront contemporary fears and hopes, artists capture the many diverse reactions to an increasingly frightening world
Presented by Mudfest 2017, UMSU Creative Arts Festival
Image: Hayden Allen, Steel Rake. Video still, 2016
30 AUGUST – 8 SEPTEMBER
CLOSING EVENT: Wednesday 6 September, 5-7pm
Parameters / Frameworks
Soma, Andrea Beck, Pattie Beerens, Evgenia Brodsky, John Canty, Zoe Clark, Elizabeth Cole, Alex Dillon, Noni Drew, Sandy Dunne, Robyn Eastgate, Ember Fairbairn, Georgia Herrod, Monique Jedwab, Emma Lamb, Ginny Laver, Martin Lee, Priya Namana, Hoa Nguyen, Gigi Panopoulos, David Porteus, Britt Putland, Marium Quettawala, Katie Stackhouse, Marlee Tant, Peter Toyne, Rebecca Willcox, Sandy Yates
Coordinators: Kate Just, Tully Moore, Veronica Kent, John Meade, Nadine Christensen
Twenty eight students undertaking the Graduate Certificate in Visual Art at VCA were given a 600 x 400mm plywood board. They could use the board as a basis for painting, sculpture, performance and more. This exhibition reveals their investigations of limits and possibilities.
Image: Tully Moore, 2017
CLOSING EVENT: Wednesday 20 September, 5-7pm
the course of things
The course of things features an assortment of precariously balanced breakable items. Subject to minute forces within the gallery space, some may fall and some may remain, in turn we are left to ponder the logic behind the selection process.
Image: Megan Kennedy, untitled installation mock up (detail). Wood, found glass and ceramic objects, 2017
By All Mens
Participating artists: Kirsten Lyttle, Lara Chamas, T.R. Carter and Stephen Gilette, Peter Waples-Crowe, Samuel Condon, and Arie Rain Glorie
Participating writers: Amelia Winata, Neika Lehman, Karen Maeda, Danielle Toua, Hannan Al Daqqa and Ella Shi
Curated by Chiara Scafidi
In a world structured around the invisibility of hegemonic power how do we talk about white men as a category? By All Mens is an exploration of prevailing notions of masculinity and privilege as told through the voices of marginalised and underrepresented arts writers and artists.
Image: T.R. Carter and Stephen Gilette, DIRTY DEEDS, DONE DIRT CHEAP. Video, 2015
CLOSING EVENT: Wednesday 11 October, 5-7pm
ON the wall, the words atmosphere, smoke, mirror, cloud, mist, haze, fog and air done as one-page blocks, letter by letter, to slow down reading and defocus meaning; not pictures of words, but images of reading, made out of typing, using a standard word-processing program and a standard printer.
Image: Alex Selenitsch, R from AIR. Word program, print on paper, 2016,
POETRY: a text and word-based exhibition
Over 100 contributions of text-based art works, including poetry, performance, video, sculpture and sound installations from students through to seminal Australian concrete poets
Curated by Sandra Bridie
Exhibited in this exhibition will be word/text works that bear a formal relationship to the space they occupy; such as the page, the book, the screen, the board, the wall, time, space, or take an art work as a starting point. Think of concrete poetry, text-works that utilise the page/book as a formal device, ekphrastic poems, word paintings, performance poetry, word & text-based video, and audio works.
Deadline for POETRY submissions is early September. Please click here for more details
Image: Sandra Bridie, POETRY. Digital image, 2017
CLOSING EVENT: Wednesday 25 October, 5-7pm
Sydney College of the Arts students
Curated by Upasana Papadopoulos and Tama Woodbury, University of Sydney
[un]made presents a collaboration between Sydney College of the Arts artists as they mark the tumultuous closure of the independent SCA campus. The artists investigate the unmaking of their school and community through varied media as this assimilation of creative knowledge disrupts both their practice and the Australian cultural landscape.
Image caption: Image from VOIS Magazine (16/7/2016)
This exhibition is part of a Verge Gallery / George Paton Gallery student curators and artists exchange. Verge Gallery is the gallery run by the Student Union at University of Sydney